If you haven’t seen a live play since high school theater, you might be wondering where to start. Which plays are necessary for a full-blown theater experience? Here are plays that have captivated critics and audiences for years and are continuously produced on large and small stages.
From an introduction to Shakespeare to thought-provoking classics like ” Death of a Salesman, ” and even some laugh-out-loud stage antics, these ten plays out as a perfect introduction to the great variety of newcomer plays.
Midsummer Night’s Dream by William Shakespeare
No such list would be complete without at least one Shakespeare play. Of course, ” Hamlet ” is darker and ” Macbeth ” is more intense, but ” A Midsummer Night’s Dream ” is the perfect introduction for those new to the world of Will.
One might think that Shakespeare’s words are also challenging for a dramatic newcomer. However, it conveys a fun to play for fantasy-themed fairies and mixed-up lovers, the story can be easily understood. Sets and costumes become the most imaginative of Byrd’s productions.
Even if you don’t understand the Elizabethan dialogue, ” A Midsummer Night’s Dream ” is still a marvel to behold.
“Miracle worker” by William Gibson
Other playwrights such as Tennessee Williams and Eugene O’Neill may have made the material from the biographies of the more intellectual William Gibson provocative to Helen Keller and her instructor Anne Sullivan. However, some plays have such raw, hearty intensity.
With the right cast, the two main roles generate inspiring performances as a little girl struggles to live in silent darkness, and a loving teacher discovers her language and the meaning of love.
As a testament to the true power of the play, ” Miracle Worker ” is performed every summer at the birthplace of Ivy Green, Helen Keller.
“Death of a Salesman” by Arthur Miller
Arthur Shakespeare Company production of Arthur Miller
For some, the play is a bit arrogant and heavy handed. Some may feel that the messages delivered in the play’s final act are a bit too blatant.
Nevertheless, Arthur Miller’s play is an important one for American theater. : If it’s worth watching, only to see an actor take on one of the most challenging and rewarding characters in stage history is Willie Loman .
As the play’s doomed hero, Loman is pathetic yet captivating. As a viewer, we cannot look away from this struggling, desperate soul. And we can’t help but wonder how similar he is to himself.
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“The Importance of Being Earnest” by Oscar Wilde
A striking contrast to the heaviness of this witty play by modern drama, Oscar Wilde has amused audiences for more than a century.
Such playwrights as George Bernard Shaw felt that Wilde’s works demonstrated literary talent but lacked social value. Still, if one values satire, ” The Importance of Being Earnest ” is a captivating farce that pokes fun in the upper class society of Victorian England.
“Antigone” by Sophocles
Yes, you should definitely watch at least one Greek tragedy before dying. It seems a lot more cheerful in your life.
Sophocles ‘ most popular and shocking drama is ” Oedipus Rex .” (You know, the show where King Oedipus inadvertently kills his father and marries his mother.) Not to feel that old Oeddy got a raw deal and that the gods made him an involuntary mistake for Punishment is difficult.
“A Raisin in the Sun” by Lorraine Hansberry
Lorraine Hansberry passed away in her mid-30s. Life was briefly brief. But during his career as a playwright, he devised an American classic: ” A Raisin in the Sun. “
This powerful family drama is full of richly developed characters that make you laugh one moment, gasp or flatter the next. When the right cast is assembled (as it was for the original 1959 Broadway cast), the audience is in for an entertaining night of superb acting and raw, eloquent dialogue.
“Noise Off” by Michael Frain
This comedy about second-rate actors in a dysfunctional stage show is downright silly. I don’t think I have ever laughed harder and longer in my life when I “saw noises off for the first time”.
Not only does it inspire a burst of laughter, the game also provides frenetic insights to the world behind the scenes of Depp thespians, crazy directors and stressed-out stagehands.
“A Doll’s House” by Heinrich Ibsen
George Bernard Shaw felt that Heinrich Ibsen was the true genius of the theater (as opposed to a Shakespearean male!).
Although the play year is well over a century, the characters are still fascinating, the plot still contains fast pace, and the subjects are still the right time to analyze.
High school and college students are likely to read play at least once in their academic careers. It’s a great read, of course, but nothing compares to watching Ibsen’s play live, especially if the director cast an incredible actress in the role of Nora Helmer.
“Our City” by Thorton Wilder
Paris, “Our City” Texas Community Theater Production
Thorton Wilder’s examination of life and death gets down to the bare bones of the theater in the fictional village of Grover Corner.
There is no set and no background, only a few props, and when it comes right down to it, there is very little plot development. The stage manager serves as the statement; He controls the scenes from rising.
Nevertheless, with all its simplicity and small town charm, the final act is one of the more hauntingly philosophical moments to be found in American theater.
“Waiting for” by Samuel Beckett
The Sydney Theater Company production of Samuel Beckett Highly praised by critics and scholars, Samuel Beckett’s absurdist “Tragicomedy” will most likely leave you scratching your head in panic. But that’s really the point!
Some plays are meant to be misleading arguments. It seems that this story of futile waiting is something every theater audience should experience at least once.
There is almost no story (except two men waiting for a person who never comes). Dialogue is unclear. The characters are less developed. However, a talented director can take this sparse show and fill the stage with stupidity or symbols, violence or meaning.
Often, enthusiasm is not so much found in the script; It sees the cast and Beckett’s interpretation of the word’s crew.